We laugh at those now but Hollywood FX had to start someplace. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature models served motion pictures well for a very long time, enabling futuristic films such as Fritz Lang's Metropolis. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great look real, in films that included Jason and the Argonauts and The Golden Voyage of Sinbad. War motion pictures that needed sea fight footage utilized miniature designs in big water tanks. This, and an approach known as taking a trip matte, created the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of unique effects gurus.
Additional advancement came when effects manager Douglas Trumball invented new strategies for the last voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the difficulty and surprised audiences with Star Wars in 1977. His group invented a new computer managed electronic camera that enhanced repeated video camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has actually originated Hollywood FX since.
Today, we are used to the idea of films being shot with a blue screen and the background being included later on. Computer System Graphics Imaging (CGI) controls the scene now. Any things or individual can be controlled by the computer and blended in with the live action. This technique was put to fantastic use in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects team at Pixar has presented it to their complete length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are practically gone. The Weta workshop in New Zealand has built a reputation as one of the best unique effects business, particularly because the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the impressive film possible.
We laugh at those now however Hollywood FX had to start someplace. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has originated Hollywood FX ever because.
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